
Waiting for a train, Nice whistle he does the yodel ! #Next he does daddy and home, Finishes with blue yodel. And his manager jokes he only knew 2 chords. Performed even though he was dying from the TB Father Of country music, Member of Rock N Roll Hall Of Fame. I dont think he ever got his coffee lol ,A Columbia Victor Gem ! And TNN did the life and times of Jimmie in the mid 90s I am glad i taped that ! Sad to know he had so much and died almost Completely broke.From One of the nicest houses in texas to a small house. Sadly TB took him away I have the film from the early 30s #The Singing Brakeman #Him with the two little ole ladies he does. And Recorded at Bristol for The famous Ralph Peer when the carters did For the Victor Talking And Recording company on August 4th 1927. Jimmie sent money to everyone who needed it. There is also a Parade And Festival Every year In Meridian, MS Ernest Tubb got the famous Thanks Martin Jimmie made so famous. Born James Charles Rodgers September 8th 1897 youngest of 3 boys in pine springs, MS. Steve Earle & The Dukes - Gamblin' Blues (2:05)ġ1.I as well Do Muleskinner, Blue yodel Did ya know there were 13 versions cause the first sold a million copies ? Jimmie was only the second person to sell that many behind labelmate My blue heaven singer Gene Austin, Heck He outsold Al (I love to singa ) Jolson. Steve Earle & The Dukes - Baby's Just As Mean As Me (feat. Steve Earle & The Dukes - Acquainted With The Wind (2:20)Ġ9. Steve Earle & The Dukes - Go Go Boots Are Back (3:33)Ġ8. Steve Earle & The Dukes - The Usual Time (2:59)Ġ7. Steve Earle & The Dukes - Better Off Alone (4:25)Ġ6. Steve Earle & The Dukes - Ain't Nobody's Daddy Now (2:29)Ġ5. Steve Earle & The Dukes - The Tennessee Kid (4:05)Ġ4.

Steve Earle & The Dukes - You're The Best Lover That I Ever Had (4:07)Ġ3. Steve Earle & The Dukes - Baby Baby Baby (Baby) (3:37)Ġ2.

Steve Earle, guitar, mandolin, harmonica, vocalsĠ1. Field (Buddy Guy, John Mayall), engineered by Earle’s longtime production partner Ray Kennedy, and recorded at House of Blues Studio D in Nashville, TN. In fact, they run so deep and dark and close to the bone that folks walk around everyday with the blues as though it were perfectly natural for a human being to go on living with a broken heart (apologies to Tony Kushner).” He continues, “For my part, I’ve only ever believed two things about the blues: one, that they are very democratic, the commonest of human experience, perhaps the only thing that we all truly share and two, that one day, when it was time, I would make this record.”


“Earle states in the Terraplane album liner notes,“…the blues are anything but superficial. Two very different styles.” He saw both of these giants, and was also exposed to Johnny Winter, Jimmy and Stevie Ray Vaughn, and Billy Gibbons, all of which make their influence heard here within Earle’s masterful storytelling.” Earle, who was raised outside of San Antonio before migrating to Houston, offers about Texas blues, “There was Fort Worth where the model was Freddy King, and there was the Houston scene which was dominated by Lightnin’ Hopkins. „Terraplane“ takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song “Terraplane Blues.” … As its title suggests, the album is very much a blues record, a third of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack. As its title suggests, the album is very much a blues record, some of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack. Terraplane takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song, “Terraplane Blues.” It is Earle’s 16th studio album since the release of his highly influential 1986 debut Guitar Town.
